the 2016 yello album on double vinyl, housed in a gatefold sleeve.

ltd 2018 vinyl pack 3x12 inch , incl beefep017, beefep018, beefep019

2016 album by jedi mind tricks very own vinnie paz with guest spots by ag, oc, hust kingpin, agallah, ghostface killah, ras kass and more.

die kanadische musikerin alexandra streliski stellte bereits soundtrack-beiträge für hollywood-produktionen wie >dallas buyers club<(2013), >demolition< (2016) und die hbo-serie >big little lies< (2017).

12 inch x 12 inch rigid board slipcase, housing 8 albums across 9* pieces of heavyweight vinyl + a download card (*“the mix” is double vinyl). new recordings (2012 - 2016) of all kraftwerk albums (english versions) included in this set:
- autobahn
- radioactivity
- trans europe express
- the man-machine
- computer world
- techno pop
- the mix (2x12 inch)
- tour de france

the attached sound samples are just a small excerpt from the full list of 69 tracks.

standout tape from the modern institute aka golden teachers richard mcmaster and laurie pitt originally released digitally back in 2016 and now available physically on pro dubbed c70 cassette with risographed artwork & encased in coalesced molten candy floss blue and pink expandable foam.

krym mryk, a young record label based in crimea, was started by stas karpenkov with a diy approach. it all began when stas approached ildar zaynetdinov (gost zvuk records) with music of his own. back then, ildar used to host the radio gost broadcast, presenting new electronic music from russia, and stas s music made it onto the air. eventually he issued a 7 inch with his music in november 2016, thus starting a label of his own. and now he comes back with a new techno/ambient 12 inch includes a remix by stanislav tolkachev.

celebreting 15 years of armada music with 4x 180 gram vinyl in a classy collectors slipcase.

hm 1203. remastered 2016 edition..

following an impressive, low-key cassette release on kitty play in 2016, amsterdam-based artist aan zee makes the leap to vinyl with this appearance on pleasure wave, a label which has already made some waves with releases from g-marie, jonny 5 and miskotom. the aan zee sound is a lot to digest, spanning all kinds of cosmic funk, sky-scraping electronics and outernational influences, often all fired off at the same time. just sink your teeth into -persona/funny berber- for a taste and you ll understand. -vacation- is equally adventurous, with all kinds of melodic layering and instrument flexing in pursuit of an exotic new brew that doesn t shirk on the groove.

nekhsa is a mysterious producer with a long running history of minimal and electro greatness running through his veins. a firm believer in the analog and a fluid method of production by jamming with a host of machines. second release with spinning plates following sp003 which feat. 2 remixes from dj spider. said to produce for a host of great labels under a host of alias its rare not to hear a track from this artist on a night out in the london scene. charm snake is a new comer who focuses on the trip. his first release with spinning plates is challenging at 12min plus but once locked in you wish lasted a week.

manana presents a new remix ep bringing together some essential re-works of sound species and ache meyis collaboration recordings. originally recorded in 2016 in santiago de cuba during the lead-up to the manana festival in the city, the original sessions were an inspired fusion of ache meyis deep folkloric afro-cuban styles with sound species subtle electronic touches. the new re-works have attracted some familiar names from clubland: broken beat don ig culture keeps the roots of ogun meyi meyi intact with a bass-heavy, percussive attack brilliant uk drummer and producer tom skinner strips back egrem bata jam on a pulsing new version chicago legend ron trent creates a more melodic dancefloor re-work of alinas calypsos while sound species themselves beef up the original afro-haitian rhythms of the same track for a dubbier treatment.

following releases on soma and echo echo, roberto clementi is back on on edge society with >metavex ep<, his follow up to 2016 >model n4<. roberto delivers his finest work to date with three hard hitting techno cuts with no remix needed.

ltd repress! for their first afro-brazilian compilation the german jazz & milk label teamed up with tahira, one of sao paulo s most active djs andmusiccollectors. levanta poeira (afro-brazilian music & rhythms from 1976 - 2016) highlights a few of his favourite dj pearls and encompasses brazil s various regional musical styles influenced by african and amerindian forms. while most foreign music lovers tend to approach brazilian music by having american music genres such as jazz, soul, funk, disco as a reference, tahira s personal wish was to showcase the rich musical roots and facets of his country by featuring carefully selected artists and bands from the past 4 decades. most of these tracks will be made available on vinyl for the very first time with a highlight certainly being tahira s -a toda menina baiana- remix (vinyl-only) of one of brazil s absolute musical heroes, gilberto gil.

after 2016’s debut “michael” on swamp 81, mickey pearce is back with his sophomore album “one hundred smiles”, released via his own box of toys imprint.

limited repress now available on lp and cs of this highly sought-after 2016 album from 1991

the elusive producer nortasun hasn’t released a record since his debut one through saft back in 2016. after two years, it’s time for a follow up which is fittingly named “two”. the track titles also resume in a fashionable manner with the opening track being titled: “untitled 3”. on this track, nortasun introduces a firm rhythm that is supported by the impossibly beautiful strings that serve as the tracks key element and appear throughout. next up is the antonzap remix. antonzap doesn’t do the stereotypical remix take on the original. his version is dub laden, otherworldly, and only implements miniscule pieces from the original take. with just under 7 minutes, the remix version is a true sonic voyage.
on the b-side, nortasun takes a more dubbed out approach to modern day house music. “untitled 4” is a work of precision. the carefully crafted hats and dub elements sizzle throughout the entire track and help the track morph into a stunning piece of dance floor music around the four minute mark. nortasun cleverly introduces a thumping bass that changes up the mood for the entire work.

as i m always evolving, every now and again i need to make a point about my latest sound. curveballs has been especially written to showcase the full range of my current sound and features a carefully selected collection of tracks designed for a club environment. riva starr dance musics prolific italian-born london-based sharpshooter riva starr set to release fourth artist album curveballs via adam beyer s revered truesoul records. riva starr has been shaking up the world of dance music with his eclectic and unpredictable palette of sounds and styles for over a decade. over the years, he has racked up numerous accolades and achievements including releasing 3 acclaimed albums (if life gives you lemons, make lemonade in 2010, hand in hand in 2013 and definition of sound in 2016), having a myriad of single/ep releases on some of dance music s most established labels (snatch! records, hot creations, relief, crosstown rebels, dirtybird) and amassing an impressive remix resume of artists including audion, groove armada, dennis ferrer, usher, estelle, london grammar, fatboy slim, reboot and david morales. with all of this success and experience under his belt, the time has come for the talented italian to deliver his much awaited fourth long-player, curveballs comprising of 12 stellar tracks inspired by current club sounds and old school music elements, driven by starr s endeavor to produce music that stands the test of time. the lp s striking opener, always gets things underway and sets the tone with its powerful house groove, warm chord stabs and divine soulful vocal courtesy of legendary house diva jocelyn brown. elsewhere, there s the funk-driven disco-tinged piknik, the uplifting needin u esque disco loco, the dark and commanding the hole (release your soul) and the pounding peak-time synth-laden roller give me love. other highlights include, the infectious breakbeat workout britcoin, the techy electro-tinged fresh and the experimental synth-driven techno gem analhog. the album concludes with 3 fine cuts in the form of the bass heavy tr-909 laden ride, the funk-fueled house groover mantra (early in the morning) and an exclusive deep-house-esque dub version of give me love to round off yet another essential long-player from one of dance music s much-loved artists

on the occasion of the third release, we re glad to welcome french dj and music producer dan ghenacia, head behind godeep (his new solo project) and one-third of apollonia, as well as live performer and music producer argenis brito, resident at club der visonäre for over 8 years now and where he hosts his boom n bust party. whereas dan ghenacia proposes an indisputably more grooving and dancefloor-driven version of david k s aquatic machine dream (ts07) that came out at the end of 2016, argenis brito — for his part — delivers a rather dubby and minimalistic interpretation of david k s daydreaming ailleurs (ts10) which was the first track that be released on tone series.

mukatsuku kicks off the incoming autumn period with two delicious slabs of dreamy jazzual bliss from spanish artist and multi-talented musician marc friedli aka skymark. both tracks are presented here in a single form for the first time. “flying fantasy” is taken from the “resistance sonore” album on marc’s own label imprint modern sun from 2016 here in an exclusive instrumental version. on the flipside “rhodes e serenidade” is lifted from the “waves from the nucleus” long player from 2015.

hove’s first record on light of other days gets a second pressing. the first pressing was self-distributed and only 150 copies were made. enjoy! hove’s debut ep is full of fuzzy melodies fused with shimmering arpeggios and reduced cosmic beats. produced at the light of other days headquarters in the heart of zurich, hove developed his sound out of various live-jams, which he recorded onto a tascam cassette recorder. these recordings alongside numerous field recordings build the foundation of the ep journey to arendal. influenced by the sound aesthetic of early electronic producers from the 80’s and 90’s, as well as contemporary house, disco or techno, hove’s music always has a certain kind of warmth to it. dusty, shuffling grooves meet woozy guitar chords while crystal clear synth melodies are paired with field recordings of rivers, birds or nocturnal city atmospheres. journey to arendal is out on january 29th, 2016 on light of other days.

lithuanian based label sodai started its journey in 2016, making it a label still in it’s infancy but making a big impression. owned by artist gardens of god, who started the label to create his own ‘no limits’ plat-form for his experimental sounds and projects. while at the same time a platform to give other artists the chance to also have freedom with art and music. with releases from raxon, few nolder and third son under their belt, the label shows no sign of slowing down, next in line is italian producer alex schaufel (suara, diynamic) who is welcomed to the label with a his heavy hitting four track ep entitled ‘roots’.

the poverty is violence stable are firmly established now as an essential conductor for rabid, rowdy and downright rasping mechanics from subterranean operators of all shapes and sizes. anonymous but reportedly veteran dutch producer xxx previously appeared on the label in 2016 with the wild noorder scannen 12-, and now returns with a bludgeoning new release. there s a consistent metal grind to the percussion on westzaan doelen, while the synth tones in between tend towards the jagged and abrasive, there s space and poise in the arrangement to lift this out of knuckleheaded noise. -don t go after her- reverberates with clamouring intensity while the beefy chassis of -just the two of you- shimmers under an acidic glaze - this is full-tilt deviant music executed with finesse to match the grime.

following up on their acclaimed 2016 album, “pitch black mirror”, the canadian duo return to sonic groove with four new tracks based on their improvised live performances. these are dance floor tracks with an experimental edge and a pervasive sense of dread, emphasizing the project’s decades-long commitment to fusing techno and industrial music in unique ways. elements of ebm, electro, and rhythmic noise blur together as serpentine basslines twist through shifting layers of percussion, and modular dronescapes morph into agonized voices of suffering and defiance. another powerful weapon from the orphx arsenal.

jan felix may gehört zu einer generation, die keine stilistischen berührungsängste kennt. neue verbindungen zu kreieren, statt an alten abgrenzungen festzuhalten, lautet die devise. dabei zeigt may, ende 1993 geboren, kompositorische und spielerische präzision, innovativem gestaltungswillen und humor. schon mehrfach wurde er ausgezeichnet, beispielsweise 2016 bei der internationalen jazzwoche burghausen, wo er den solisten-wettbewerb gewann und mit seiner band den zweiten platz belegte. zwar zählt frank zappa nicht direkt zu mays vorbildern, eine gewisse verwandtschaft in der geisteshaltung lässt sich aber erahnen. etwa im gewitzten mix aus klassischen und modernen einflüssen, die bei jan felix may von jazz über elektronische musik bis zu impressionismus und progressive rock reichen. der junge pianist und komponist weiß, wie man ausgeklügelte musik so attraktiv gestalten kann, dass sie neben hartgesottenen spezialisten auch viele andere offene ohren aus unterschiedlichen generationen erreicht. -red messiah-, jan felix mays fantastisches debütalbum, klingt frisch und ungewohnt anders. das album erscheint auf 180 gramm vinyl.

absence seizure marks its tenth release this september, a split package comprising one original from co-founder abe duque and two from label-founder matuss. since its launch back in 2015 the new york city based absence seizure imprint, launched by abe duque and matuss has been a platform for the latters original material and across the past nine releases and picked up support from the likes of young male, sage caswell, dorian paic and eduardo de la calle amongst others. here though we see co-founder abe duque join the part to mark the labels tenth vinyl release alongside label regular julia matuss. matuss steps up with crashing hard a murky, stripped-back number fuelled by choppy bass stabs, minimal percussive bleeps and airy atmospherics . next on the package is abe duques 11-27-2016, a typically raw affair from the new york techno veteran fuelled by squelching 303 lines, robust analogue drums and dreamy arpeggios. the b side features matuss sisabuc fresh closes out the package, stripping things back even further to minute, shuffled percussion, stuttering ethereal chords and permeating sub hits which all flow in unison across its ten minute duration.

sound designers, producers, djs, promoters, and electronic music enthusiasts alike, funclab hail out of milan, italy. the group started in 2016 and their artistic practice ranges from video art to documentary films, sound and environmental installations, as well as photography, dj performances, radio shows curation and fashion soundtrack projects

late night techno, deep house, ambient soundscapes, introspective electro and sci-fi soundtracks with strong influence from the music of detroit and chicago. obscure australian imprint offworld records reactivates after a 21-year hiatus to issue the still tomorrow ep by producer tim jackiw as a label follow-up to the rare science of sound vol 1 touted as one of the best deep techno 12inch singles of the 1990s, reissued in 2016 on the recondite label and now highly sought after by collectors worldwide. a series of archival dat and tape recordings produced in tim’s adelaide-based home studio during the same mid-90’s period as science of sound and the recent memory feedback release on slow life berlin, this 6-track extended play 12inch covers a broad spectrum of electronic sounds including late night techno, deep house, ambient soundscapes, introspective electro and sci-fi soundtracks with strong infl uence from the music of detroit and chicago.

berlin producer kevin de vries has emerged as one of the capitals most hotly tipped newcomers since his track eternity appeared on adam beyer’s drumcode label in 2016. besides such luminaries as beyer, sven väth and richie hawtin, tale of us have also recognised his talent, paying de vries the compliment of featuring his track path to immortality on their fabric 97 cd this year. if thats not enough theyve also given kevin a place of honour on their very own afterlife label compilation in the form of magoa. which brings us to the matter in hand. de vries debut for cocoon is characterised by significantly higher levels of impulsive energy without ever losing sight of his instinctive feel for harmony.

modulare synthesizer treffen auf marokkanische gnawa-tradition. begnadete kollaboration zwischen dem britischen synth-wizard james holden, berüchtigt für seine offenheit gegenüber neuen, nie betretenen wegen und soundexperimenten, und maalem houssam guinia, sohn der verstorbenen gnawa-legende und holden-kollaborateurs maalem mahmoud guinia. drei live aufgenommene world music-tracks mit nordafrikanischen gesängen, aufgenommen 2016 in london. limitierte auflage.

armand (26 jahre, synths & drum machines) und clara (25 jahre, vocals & drum machines) lernten sich auf einer kunsthochschule bei paris kennen. er schwört auf den techno des berühmten warp-labels, sie sang bei den garage-rockern cannery terror. nach ersten diy-shows stieß das hippe label cracki records auf agar agar, 2016 erschien die debüt-ep -cardan-, auf der clara erstmals ihre rolle als hohepriesterin des goth auslebte: eine art wiedergeburt von siouxsie im gewand von donna summer. stücke, die klingen wie ein diskoider schamanischer trip, dunstig und ultra-langsam, ein aufruf zu besessenheit und hingabe. zwei jahre danach sind ihre konzerte monate im voraus ausverkauft. nun erscheint ihr mit spannung erwartetes debütalbum -the dog and the future-, wieder mit dem markenzeichen von agar agar: claras hingebungsvolle stimme schwebt über makellose, dunstige slow-disco instrumentals. es ist ein melancholisches, nostalgisches und zugleich poppig-futuristisches album, das sich thematisch um die virtuelle realität, um simulationen des lebens, um hunde und um die liebe dreht, und vor augenzwinkern in richtung pop-kultur, vor labyrinthischen rätseln und opium-geschwängerten schwingungen nur so strotzt. es oszilliert zwischen granatapfel großen herzen, einem himmel aus schatten, dem dunst der erde, mystischen zuckungen und dem schwarzen leder des nihilismus der neuen blank-generation.

duas cidades is a defining moment in the group’s career, one that catches them perfecting their genre-defying sonic mix. the single “playsom” was included on the fifa 2016 soundtrack and the video now has over 2 million plays. the album also features the hit and fan favorite “lucro: descomprimindo”. pressing on 180 gram vinyl, housed in a gatefold sleeve.

n8noface was the vocalist for underground synth-punk legends crimekillz. he is the younger brother of tucson-bred modern boogie rocket man zackey force funk, both now residing in long beach, ca.in 2017, hit+run released n8’s visceral debut album stories of those, as well as demos and demons vol. 1, a ten-track collection of home demos recorded between 2015-2016. on dia de los muertos 2017, noface also unleashed the first single from his forthcoming new album true story, the haunting double a-side lathe cut “idgaf / say goodbye.”
true story, the 14-track lp due this august, reads like a collection of compelling mini-narratives, brief yet honest tales of personal struggles, anti-establishment rants, dead end loves, and real-life tragedies. n8’s minimal wave sound is not about nostalgic lo-fi nor home-recorder formulas, but his own instinctive style that defies categorization and comparisons. the result is a distinct sound of rapid-fire hardcore punk moshing with awkward pop music. standout tracks on the dense 18-minute album include “not like you”, “bad day”, “men who dress well” and “glasgow smile”.

kodaema presents its second ep black cloud, featuring five tracks to be released in spring, after the success of the debut ep end of 2016, highly acclaimed by gilles peterson and bradley zero. a mature and elaborate work, in which the bands influences take shape. from wonder featuring kiala nzatovunga, to the impressing water no get enemy, covering fela kuti, along with black clouds enveloping harmonics, kodaema delivers a unique & personal sound. the record was mixed in los angeles by benjamin tierney (kamasi washington, shaq husayn) and mastering has been done by engineer kelly hibbert (j dilla, madlib, flying lotus)

2018 repress! full official re issue of paul johnsons sex crazed / track happy ep on dance mania. all areas of chicago house covered in pjs unique style.. includes the classic give me ecstasy. full 2016 re master.

as we reach our 30th release on the label, animal farm is proud to present stephanie sykes’ first solo ep since 2016’s effort on prodigal son. those two years have seen her presence in the techno scene explode, with a flurry of appearances across europe - our own animal farm night in glasgow among them + residencies at tbilisi’s khidi and the infamous after hours jaded crew in london, corsica studios.

after the initial label launch in 2016, desroi has been working insistently. debuting on labels such as henning baer’s manhigh or shifted’s avian, the young artist has worked his name into the scene. this time, desroi returns to his own imprint with “eutheria”. with an unadorned focus on percussive drive and rugged atmosphere all three tracks invite to be played out in a dark but hypnotizing warehouse rave. his ability to shape-shift from experimental sonic explorations right up to pure and straight-forward techno cuts reiterates that desroi is someone to keep an eye on.

to celebrate the 5th anniversary of the agency, rotate has a hefty 2xlp compilation coming, featuring its in-house artists as a follow-up to “rotations i” from 2016. in the meantime, the imprint prepared a 10- split-ep teaser, appropriately named “mini rotations i”, featuring cleymoore and loopdeville.

music is feeling, music is meetings. in 2015, the s3a records 04 was released with collaborations of good friends of s3amet in the world by the music (tito wun, mannmademusic). this sampler continue the story with tracks from people s3a met during gigs and travels in the past year: sweely delivers here great speedy long jazz banger with a great voice sample as a theme. the columbian felipe gordon gives a great stompy funk bass track! on the b side, the french g2s drops a beautiful house sample based -graef like- song. for the last track need a little bit of story. in 2016 s3a released an ep called 3711 on soundofspeed records in japan. the track -bush- taken from this ep has been remixed during a contest in early 2018. 42 remixes were done and the winner has is remix edited here. pnom pen gives us here his 80 s electro version of the track adding great pads and a complete different rhythm and grooves!

into the light is launching a parallel and limited series with contemporary material from both greek and international artists. first stop is the album postclub prism by the german producer cass. offering ten gorgeous ambient pieces about light and romance. since 2012, niklas rehme-schlüter aka cass. has released albums of varying styles, from the rather organic and loop based ambient pieces on loops & farewell sketches and the red atlantic ep on throne of blood in 2017, influenced by 80s pop sonics, to the more balearic and percussive recordings on the sound of glades together with wolf müller in 2016. on his new record postclub prism cass. explores his affinity to calm and atmospheric ambient music at the threshold to the reverberant sound of club music.

in 2016, after reissuing two bruce haack albums, haackula and electric lucifer book ii, telephone explosion began speaking with ted pandel (bruces lifelong friend and business partner) about working on the 1970 masterpiece the electric lucifer. it turned out there was another matter that he wanted to discuss: finding a final resting place for the bruce haack archive.

we only light the beacons for dispatch dubplate on special occasions and this is no exception, dlr is back, with a first solo release since his 2016 album dreamland. bristol’s finest has kept these gems close for the past year, reserved mostly to his and ant tc1’s own sets - we are proud to finally reveal these locked away dubs. dlr returns to dispatch with his distinctive blend of mischief with mayhem, experimental and unexpected at every turn, but superbly suited to the dancefloor. limited copies, hand stamped 180 gram vinyl.

sublee from romania draws an inspiring sonic vision with this colorful debut on meander. he already released a well received longplayer on rareshs respected label metereze in 2016. now, the leading theme track irealis plays tender sound scapes with beautiful melodies reminiscent to john beltrans work on peacefrog from the golden 90s. continuum goes into a deep rhadoo-esque rhythmic mind-space, while electica takes you on an long, intelligent dancefloor journey to other dimensions. ***180 gram vinyl release, full cover artwork.***

schwarzes 12 inch vinyl in bedruckten innentaschen in bedruckter kastentasche (4 tracks), inkl. download-code (5 tracks) ... die -collapse ep- ist aphex twins erste neue arbeit seit der -cheetah ep- aus 2016. das klangbild aus hyper-editierter electronica, durchsetzt mit seinem typischen acid-sound, spuren von footwork und schwerem bassbrummen zeigt den zwilling von seiner modernsten seite seit seinem meisterwerk -syro- (oder vielleicht auch seit -druqs-). parallel mit der offiziellen ankündigung erschien auch ein atemberaubender videoclip seines langjährigen kollaborateurs weirdcore zum opener -t69 collapse-

ltd edition 12 inch vinyl in innentaschen in procédé heliophore-kastentasche mit silberfarbener alufolienprägung (4 tracks), inkl. download-code (5 tracks) ... die -collapse ep- ist aphex twins erste neue arbeit seit der -cheetah ep- aus 2016. das klangbild aus hyper-editierter electronica, durchsetzt mit seinem typischen acid-sound, spuren von footwork und schwerem bassbrummen zeigt den zwilling von seiner modernsten seite seit seinem meisterwerk -syro- (oder vielleicht auch seit -druqs-). parallel mit der offiziellen ankündigung erschien auch ein atemberaubender videoclip seines langjährigen kollaborateurs weirdcore zum opener -t69 collapse-

07042016 (live at st.paul s anglican church, athens) is the debut album of modal analysis, brought by the greek experimental band of mmmd (also known as mohammad). nikos veliotis and ilios are currently performing as the mmmd duo, with further focus on deep monolithic sounds, low frequencies, inter-modulations, dark textures, and distant folk nuances through custom made instruments (cello & electronic bass) and software. the release carries parts of the mmmd live performance at st.pauls anglican church in athens, recorded on the 7th of april 2016. the concert was hosted by fasma festival, on the opening day of its 2016 edition.

the bamboos veröffentlichen ihr neues album night time people. das australische dreamteam um bandgründer und gitarrist lance ferguson und sängerin kylie auldist ist millionen hörern weltweit durch ihren hit »this girl« bestens bekannt. ferguson schrieb den song bereits 2009. durch den remix von kungs vs. cookin on 3 burners avancierte er 2016 zu einem der größten charthits und zeigte, dass sich die welt popmusik mit echter seele wünscht. the bamboos gelten schon lange als eine der besten funk-soul-bands der welt.
ihr inzwischen achtes studioalbum verspricht, den erfolg von this girl noch zu übertreffen. die elf tracks auf night time people beleben mit zeitgenössischem songwriting vertraute arrangements und grooves des frühen funk-soul wieder. gesungen werden sie von einer der markantesten stimmen australiens.
das 180 gramm doppel-vinyl erscheint inklusive downloadcode.

a new ep from amsterdam based producer daniel jacques, titled last jaar, will follow up the exclusive ep from mysterious japanese producer shinichi atobe from 2016. last jaar will be released on jacques’ own jadac recordings record label and on this ep, he is bridging the gap between house, techno and r&b music.